I like to follow the energetic pulse of the collective, by looking to pop culture. We have a collective energetic body that behaves like sliding doors that open and close. In recent years I have observed extreme expansions and contractions.

Part 3. of How Sarah J. Mass is Courting the Muse: A Journey Through Romantasy Book Covers, The Power of the Female Market, and Taylor Swift. Like Taylor, Sarah J. Maas is not just courting her creative muse, she has direct access to them.

Part 2. of How Sarah J. Mass is Courting the Muse: A Journey Through Romantasy Book Covers, The Power of the Female Market, and Taylor Swift. So yesterday I left off at “Years later as the ACOTAR and Throne of Glass (TOG) series are having a MASSIVE moment – I understand what we did wrong . . .”

Part 1. How Sarah J. Mass is Courting The Muse: A Journey Through Romantasy Book Covers, The Power of the Female Market, and Taylor Swift. This will be a multi-part series so stick with me if you like trendspotting and following the constellations of cultural zeitgeists.

If you're not curious about the critical mass following Taylor Swift, you're missing out. Whether you like Taylor or not, the world can agree something is happening. Swifties may know what and why, but I think it is much more than music.

I don’t think it’s a coincidence that I received my Core Gift around the same time I was encouraged to watch The Big Door Prize. You see both of these entities collided in my life to ask the same questions: Why am I here? Is there a compass? How do I find it?

Part 2: Why a “coming of place” strategy is the BEST tourism strategy going. We all know the power of story.

Imagine feeling like whatever your passion is, it is totally viable as a career. That whatever dream you hold for yourself is fully possible.